Professional Longarm Quilting Services
Joan used a layer cake from Zen Chic to piece this gorgeous quilt!
I chose the pantograph Jitterbug to dance all over this quilt top, adding curves over the angular piecing created a softer appearance.
When piecing the backing I took the extra time to match the seam…always a complimentary service. It was well worth the effort as it was not easy to find the seam.
Many of my customers ask me to choose the quilting design for their quilts. More often than not as soon as I look at a quilt top I know how I want to quilt it.
My initial thought was wow, I love all of the colours in this quilt, how fun!! On closer inspection of the fabrics…all batiks had various shapes ranging from bubbles, dots, curls, swirls, flowers and leaves and more.
The pantograph Waterworld came to mind initially which surprised me to be honest as it’s one that I often use on baby or children’s quilts.
The more I thought about it, as I prepared the quilt for loading onto my Longarm, (which involves pressing the top and in this case piecing the backing) the backing colour confirmed my choice.
The next decision was thread colour, the fabric used in the border and sashing initially read black but it is actually a very dark blue with hints of a softer blue, choosing a baby blue thread worked perfectly.
The thread plays really well across all of the colours, there is some contrast on the border and sashing however it isn’t enough to jump out at you.
Joan’s quilt is trimmed and ready for binding.
I love knowing the story behind quilts, in this case the purpose of this one was extra special.
It was made with the idea of having the family members that the maker has coffee with every week sign the quilt.
The pantograph Ripples came to mind immediately when I saw the quilt with its appearance of steam coming from the cups.
Her quilt was trimmed and ready for binding at pick up!
While we were travelling in the spring I was able to visit Hancocks of Paducah where I treated myself to a fat quarter bundle of Tula Pink prints…I didn’t have a plan for the fabric I just liked them.
A few weeks after returning home I decided to treat myself to a new Oliso project iron, I chose the Tula Pink one because it looks so happy! This was definitely not a need purchase just a I really want purchase 🥰
For a year or so I have been watching and admiring Minki Kim’s YouTube tutorials and her patterns and when she came out with her pouch pattern for the iron I knew I wanted to make it!
https://youtu.be/WrkIPg1cRrQ?si=eW8wAuFzv2UJozbc
This was such a fun project!
I really enjoy this new iron, I have the previous model, this new one is a vast improvement in many ways.
This quilt was made with fabric purchased during its makers travels in Alaska. Fussy cutting the animals in the prints and attaching to a black block is a brilliant way to showcase the beautiful prints.
Using the pantograph Kindling played on the idea of Nothern Lights and using a chameleon like thread colour that disappeared over the appliqué and yet clearly shows in the background made the animals truly pop!
The quilt was trimmed and ready for binding at pick up.
A recent customer quilt story.
Something to consider when purchasing fabric is whether or not it is a directional print. In this case the wide backing fabric was clearly so.
My customer had ordered more than enough fabric for her quilt however there was a problem…the way that the writing had been printed onto the fabric meant that the writing would be vertical if used the way it was.
After further discussion, she brought me the remaining fabric from the quilt top along with one extra block that she had made.
Loving a fun challenge, I decided to utilize the one block and took it apart. Piecing three strips to insert into the backing with a plan to grow it long enough enabling the writing to be horizontal.
Cutting wide backing straight can be a challenge in of itself however cutting this fabric and having the lines of writing remain straight was a little nerve wracking. I made three cuts… and inserted the pieced strips.
Adding the piecing to the backing not only grew it to the right size it also created a modern dimension to it.
We chose the pantograph Jitterbug for the quilting and used a very soft grey thread colour which blended beautifully throughout the quilt.
The quilt was trimmed and ready for binding at pick up.
Let me help you to bring your quilting projects to completion…did you know that I piece backings free of charge?
When this quilt first arrived in my studio its maker said that it was a true challenge to make and she is an expert quilt maker!
I can see why as I too have taken on patterns where the directions for pressing do not cause the seams to oppose each other making for not so smooth piecing and when you are dealing with so many small half square triangles it can be frustrating.
However another beautiful quilt top was created and put together with a gorgeous backing it’s now a quilt.
Its maker requested the pantograph bubbles which you can see was a perfect choice. Using curves against angles is a fun treat to the eye!
I find that it is always worth the extra time to press both top and backing before loading the quilt on to the Longarm.
This step provides an opportunity for fresh eyes to look the quilt top over as well as making sure that there are no creases in the backing fabric or missed seams which can happen to the best of us and to catch any dark threads sneaking under light fabrics.
How gorgeous is this backing! This quilt was trimmed and ready for binding at pick up.
Contact me at wendysquilting@gmail.com for Professional Quality Longarm Quilting Services.
Many quilts make a bold statement using colour and piecing however sometimes a simple quilt using soft colours can be just as striking.
The soft palette of gray blues and creams frame an important belonging that was placed in the centre of her quilt.
More embroidery will be added, in order to secure the beautiful handkerchief.
Hannah’s quilt was pieced by her Mom, Hannah chose the pantograph Bayside as it reminded her of waves and water.
A simple white backing added more softness to this special quilt as it will be heading off to University with a Hannah this fall.
Note…the backing used was a top sheet purchased at a thrift shop it stitched up perfectly.
Her quilt was trimmed and ready for binding when picked up.
I have a Pantograph labelled Overall Bear, Moose and Pines, it is often requested for quilts made with camping or wilderness themed fabric.
My customer chose it for her quilt.
It’s a fun design to hand guide my Longarm over…
Having chosen a reads like solid backing fabric really showcases both the design and beautiful stitches my Longarm creates 😊
Her quilt is trimmed and ready for binding.
I began piercing my Postage Stamp quilt in January… personal piecing time is at a premium these days which is one of the reasons that I chose this project.
It does at times make a bit of a mess in my already at times messy looking studio but then creativity can be messy!
My piecing time is usually after I turn the Longarm off for the night… and allow myself an hour or so to play.
The project began by cutting strips of scraps 1 1/2” and sewing them together alternating with Kona White until I had 9 strips together and then cut those units into 1 1/2” strips. Playing with so many different fabrics was where the mess was mostly made… this was followed with evenings of putting together groups of 9 strips with the rule of no same fabrics in a block.
Once I had enough 9 strip units together I tucked away the strips etc into a tote…until the next time I needed to put the 9 strip units together.
I find it relaxing to have some simple sewing to do and this project fills that need right now. I haven’t decided how big to make this quilt or who might want it…or should it be made into smaller quilts…it will come to me at some point.
I counted the blocks the other day and I have 53 finished.
Wendy’s Quilting and Life 