Let’s start with the mile a minute quilts.
Then her sweet sun bonnet sue
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Alva never fails to amaze me with her use of colour and the different patterns she finds and makes as in finishes too! I quilted this for her using the Pantograph Leaf Pile.
Lorraine is another prolific quilter, I love the colours that she used in this quilt. It was quilted using the pantograph Waterworld.
Several years ago on a little March Break trip across the border, my youngest daughter and I saw a fabric line in a shop that we had to have along with a pattern that the fabric had been made into. The fabric line was called Seaside Rose of Three Sisters for Moda fame and Katie and I collected a lot of it. I have made several quilts with it over the years but my favorite still is the one I made with Carrie Nelsons Summer Wind Pattern (I have made a few more with the pattern since in a few different colorways).
I have noticed lately that many people are making what are now referred to as Low Volume Quilts and realized that this one falls into that category though it was made so long ago. It is so soft and gentle looking and maybe that’s what drew me to the quilt in the first place as it was made during a very difficult and hard time in my life’s journey.
On another note it sure is nice to see green grass even sprinkled with dandelions even if only in pictures…we still have about 3 feet of snow…
Alva has been both my friend and quilting mentor for over twenty years now. She has also been a major cheerleader in my Longarm Quilting career, entrusting me with the quilting of many many of her incredible quilts over the years.
This latest quilt was inspired by a pattern in one of Ricky Tim’s magazines Quilt Life, the pattern itself by Wendy Hill. Alva had the templates made and then played with ideas for awhile before allowing this project to be what she’s referred to as her latest insanity! Notice all of the Y seams!
We chose a Pantograph called Helix by Patricia Ritter, to give even more movement to this piece. I chose Superiors Bottom Line thread as I did not want the thread to take front stage just the spiral affect.
I am really hopeful that yesterday was our last snow day, but I must admit that I love photographing quilts against a snowy background.
Thank you again Alva for allowing me to work with you to make your vision come to be!
When Terri first sent me pictures of this quilt as she was working on it, I fell in love with it. I love her colour placement and that this quilt was made from her stash fabrics. The Echinacea flowers were appliqued using very soft brushed flannel or was it velvet, what ever it was the dimension that her fabric choice made was perfect. I used a Panto by Nicole Webb called Fro Fro.
these pictures were taken in MARCH in my back yard! Our weather has been so mild this year and the grass was actually dry. Very unusual for this area.
Helena brought me her Oriental Lantern with instructions to quilt it how I wanted to…
For some reason I’ve been in the baby quilt making mode these last few months.
My original plan was for this first quilt to be the back of the second but then when it was pieced it just seemed so soft and sweet that it needed to be it’s own quilt.
I’ve been very inspired by some of the different quilts I’ve noticed on peoples blogs lately and thought this fabric would adapt well to what is being called Modern Quilts.
I know my last few posts look like all I’ve been doing is playing outside this summer, which I admit due to our very short summer I try to play outside as much as I can, I really have been quilting too…
One of the challenges that I set out to do was to use 2 Lily and Will by Bunny Hill charm packs to make 2 baby quilts. One for a girl and one for a boy.
Adding some background yardage, here are the results
I used the Baby Pinwheel pattern from the Moda Bake Shop to make the second quilt, the first is an adaptation of the Funny Farm pattern from the book Fat Quarter Fun by Karen Snyder.
I really wish I had taken pictures in progress of this Schnibble. It was fun working with the Summer House collection by Lily Ashbury for Moda and thankfully I had the Creative Grid 60 degree ruler to use.
I found the Honeycomb Schnibble to be the most challenging of the ones I’ve made so far. I started by laying out my colours on the design wall after cutting and then sewed one row at a time so that I wouldn’t get any mixed up. I also found that Mary Ellen’s Best Press was indispensible when working with so many bias pieces.